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Morris Dickstein (1940–2021) was Distinguished Professor of English at the City University of New York Graduate Center and a widely published literary and cultural critic. His work has appeared in the New York Times Book Review, the Times Literary Supplement, Partisan Review, The Nation, and the Chronicle of Higher Education. His books include Gates of Eden: American culture in the 1960's, which was nominated for a National Book Critics Circle Award...
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"A brilliant, invigorating account of the great writers on both sides of the Iron Curtain who played the dangerous games of espionage, dissidence and subversion that changed the course of the Cold War. During the Cold War, literature was both sword and noose. Novels, essays and poems could win the hearts and minds of those caught between the competing creeds of capitalism and communism. They could also lead to exile, imprisonment or execution if they...
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This 1922 collection of acute literary essays includes pieces on Nietzsche, Ibsen, Conrad, Crane, Frost, and others. The sensibility informing this volume may be inferred from the following, taken from Garnett's preface: "The publisher's reader knows what literary success signifies: he has no need to cultivate his sense of irony."
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The Nobel Prize—winning poet and man of letters Octavio Paz was also a brilliant reader of other writers, and this book selects his best critical essays from over three decades. In the sixteen pieces collected here, Paz discusses a wide range of poets and writers, both American and international, from Robert Frost and Walt Whitman to William Carlos Williams; from Fyodor Dostoevsky to Luis Buñuel to Alexander Solzhenitsyn; and from Charles Baudelaire...
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When he sold his first short story to The New Yorker in 1979, Alan Cheuse was hardly new to the literary world. He had studied at Rutgers under John Ciardi, worked at the Breadloaf Writing Workshops with Robert Frost and Ralph Ellison, written hundreds of reviews for Kirkus Reviews, and taught alongside John Gardner and Bernard Malamud at Bennington College for nearly a decade. Soon after the New Yorker story appeared, Cheuse wrote a freelance magazine...
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Published in 1931, Axel's Castle was Edmund Wilson's first book of literary criticism-a landmark book that explores the evolution of the French Symbolist movement and considers its influence on six major twentieth-century writers: William Butler Yeats, Paul Valéry, T. S. Eliot, Marcel Proust, James Joyce, and Gertrude Stein.
As Alfred Kazin later wrote, "Wilson was an original, an extraordinary literary artist ... He could turn any literary subject...
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As a musician who is also a writer, Ned Rorem claims that some years ago the IRS, at a loss as to how to pigeonhole him for their purposes, settled on the designation of "Other Entertainment" when noting the source of his livelihood. Thus the title of this fourteenth book by a composer who has been universally acclaimed for his prose, and a writer who has won a Pulitzer Prize for his music. He goes beyond music in this collection, however, reaching...
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In Soundings in Critical Theory, Dominick LaCapra continues his attempt to fashion a historiography that is at once critical and self-critical-a project he initiated in Rethinking Intellectual History: Texts, Contexts, Language (1983); and History and Criticism (1985), both available from Cornell University Press. This new collection of essays offers a provocative assessment of the nature of historical understanding and the role of critical theory...
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Azade Seyhan is the Fairbank Professor in the Humanities and Professor of German and Comparative Literature at Bryn Mawr College. She is author of Representation and Its Discontents: The Critical Legacy of German Romanticism.
Some of the most innovative writers of contemporary literature are writing in diaspora in their second or third language. Here Azade Seyhan describes the domain of transnational poetics they inhabit. She begins by examining...
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In this collection of essays and epigrams, E.M. Cioran gives us portraits and evaluations-which he calls "admirations"-of Samuel Beckett, Jorge Luis Borges, F. Scott Fitzgerald, the poet Paul Valery, and Mircea Eliade, among others. In alternating sections of aphorisms-his "anathemas"-he delivers insights on such topics as solitude, flattery, vanity, friendship, insomnia, music, mortality, God, and the lure of disillusion.
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Howard Fast's controversial essay on the proper role of literature, offering insight into his life and works In this 1950 essay, Howard Fast argues that all writers have a duty to reflect the truth of the world in their works, particularly regarding social justice. Fast's treatise on literary criticism allows for a fuller understanding of his early novels, in which his political beliefs remain inseparable from his writing. Literature and Reality,...
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The occult was a crucial influence on the Renaissance, and it obsessed the popular thinkers of the day. But with the Age of Reason, occultism was sidelined; only charlatans found any use for it. Occult ideas did not disappear, however, but rather went underground. It developed into a fruitful source of inspiration for many important artists. Works of brilliance, sometimes even of genius, were produced under its influence. In A Dark Muse, Lachman discusses...
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In our imaginations, war is the name we give to the extremes of violence in our lives, the dark dividing opposite of the connecting myth, which we call love. War enacts the great antagonisms of history, the agonies of nations; but it also offers metaphors for those other antagonisms, the private battles of our private lives, our conflicts with one another and with the world, and with ourselves.
Samuel Hynes knows war personally: he served as a Marine...